The encyclopedia definition of Alexander Technique

This is a definition of the Alexander Technique Franis Engel wrote for Wikipedia, an online encyclopedia. Various versions of her writing for the Wikipedia site have been widely duplicated using the free use license on that site. The current version at Wikipedia may differ from the one she wrote here. Please contact her if you'd like to use this one for permission to do so, (info at the foot of this page.)

Alexander Technique Defined

The '''Alexander Technique''' is a study of freeing response that is taught by studying one's own mannerisms of posture. It takes its name from Frederick Matthias Alexander, (1869-1955,) a former Shakespearean recitalist, who first observed and formulated its principles during 1890-1900. F.M. Alexander trained teachers of his ''Technique'' from 1931-1955.

What it is

Alexander Technique is an educational discipline practiced to prevent the physical decline caused by habituated mannerisms. Learning it trains sensory discrimination, empirical self-observation and experimentation ability, along with ease of movement. The medium of study is the sense of kinesthesia or proprioception, which is the sense used to internally calibrate one's own bodily location, weight and to judge the effort necessary for moving. The founder's original intent was to apply the scientific method to more completely carry intention into factual action. His objective was to make experimentation & training deliberately repeatable, and to learn in a way that would allow indefinite improvement.

The needs it addresses

Learning about kinesthetic proprioception and your own responses is valuable for many positive reasons. Alexander Technique is a practice for body/mind unity available for those at any fitness level. Using less effort to get more results is efficient, feels easier, looks more graceful and frees up unintentional overcompensation. Learning about moving easier with conscious awareness is a basic operating manual for life. People often ignorantly move themselves how they guess their bodies are constructed, unnecessarily stressing their body's anatomical design prematurely. Without knowing how to observe themselves to pleasurably continue learning, people instead cultivate inflexibility and resistance to change. Over time, the price of ignorance and increasing inflexibility can be pain and reduced capacity.

Alexander Technique teachers believe that humans have a built-in proprioceptive blind spot, because people design habits to adapt to repetition. Adapting is mostly a learning advantage, but has a serious drawback. The drawback is that habits disappear as they adapt to run in the background, allowing new adjustment to a constant level of familiar excitement. The advantage is additional habits can be added onto previously designed habits. The disadvantage means people can forget what habits they have designed because they can no longer sense those previously learned habits. Also, there is usually no provision made for stopping habits, even if a habit is originally intended to be temporary. Our sensory system becomes flooded from trying to do too many contradicting habits. From these habitual contradicting mannerisms, our natural sensitivity for calibrating motion becomes untrustworthy.

How our kinesthetic sense becomes untrustworthy from adapting to needless overcompensating is built into many innocent situations. For instance, if person often carries a purse on their forearm, they will later find themselves holding up their arm when the purse is not on it. A child imitates the twisted posture of an admired grown-up. A self-taught student may unknowingly adopt useless and later problematic mannerisms. Misunderstanding a teacher’s directions, a student may repeat what the teacher knows is unnecessary, but the teacher allows the mistake to go by because the student is trying to learn. If someone is afraid while learning, adapting can mean they will most likely continue doing the skill mixed with fear reactions. If someone has healed from a temporary injury, a subtle wincing in anticipation of pain can be automatically continued indefinitely, even though pain is gone.

Who can benefit from learning it

Since the Alexander Technique improves perception, ease of movement and offers self-knowledge, it has broad applications. It is taught in performance schools of dance, acting, circus, music, voice and some Olympic sports. It's used as remedial movement education to complete recovery and provide pain management. When used continuously, it is regarded by some to be a spiritual discipline because it has a person seeking for thoughtful ways to express their own guiding values in the most ordinary of mannerisms. Its principles apply in psychology, creative thinking, learning theory and the styles of coaching, training and directing.

Although the Alexander Technique is considered by those in its field to be primarily educational, it is regarded by the National Health System in the United Kingdom to offer an alternative and complementary management for many medical complaints. A partial list is: back problems, unlearning and avoiding repetitive strain injury, improving ergonomics, stuttering, speech training and voice loss, mobility for those with Parkinson's disease, posture problems, or incomplete recovery from injury. It is also been known to help performers with getting past the ''plateau'' effect (despite trying, no improvement,) performance anxiety, getting beyond a supposed "lack of talent" and to sharpen perception. It's also helped people control unwanted reactions, phobias and depression. Of course, applications are very personal by nature; many testimonies exist. Please note that Alexander Technique is regarded as a helpful adjunct to traditional medical treatment regimens and not as a substitution for them.

Expected results

The effect of ''Alexander lessons'' can feel very unusual, but also strangely familiar, because most people as toddlers once possessed effortless balance. During hands-on lessons, most pupils will sense an immediate "state of grace," despite the student’s inability to evoke or sustain this state alone. Suddenly having a differently sounding voice, feeling lighter or temporary disorientation are common effects when habitual pressure is gone, described as “a little nothing that makes a big difference.” These special effects seem to happen because the proprioceptive sensory system suddenly recognizes a surprising paradox.

Though most students experience these perceptual paradoxes as feeling good, students are often admonished to ignore them. Students learn to try to avoid ''end-gaining,'' meaning, to resist going directly for results habitually and instead allow themselves the room to use a new and unfamiliar means. At certain times during the learning process, an untrustworthy proprioceptive sense cannot discern if very gradual differences of improvement are happening or not. Students must continue practice without expectation or reinforcement of ''feeling'' themselves changing, because their senses are not yet sensitive enough. Improved sensitivity can be trained or reawakened by sustained practice. Yet the experimenter may sometimes still experience the paradoxical sensory effects described above during a leap ahead of gradual progress.

Depending on the causes of limitation, structural posture may or may not improve, but freedom of motion should always improve during the lesson with a teacher. ''The Technique'' has a signature of effortlessness. Its unexpected poise should be an immediate shared fact for both teacher and student in every hands-on ''Alexander lesson.'' To take improvements away from the lesson, the dedication of later remembering to attentively experiment is required on the part of the learner. A willingness to experiment is key to gaining continuing results.

Specialized, hands-on training

Teachers train students in a personalized, living anatomy lesson. Most use a specialized hands-on technique of guided modeling to show what they mean. Even if only briefly for group classes, movement is guided by one-on-one light hand contact, usually about the student's head, neck and back. The value of effortlessness is advocated. Coaching the substitution of more appropriate, specific ways to detour limitations are also suggested. As anyone knows who has tried substitution strategies against a habit, there are often more complex paradoxes involved, because habits can be tricky. Alexander Technique addresses these concerns, tailoring how to establish personally constructive experimentation uniquely for each student.

Most commonly at the beginning of lessons, teachers may suggest activities that are routine, such as walking or sitting. For part of the lesson, some teachers have learners lie on a table, so the student can experience the principles in action without having to pay attention to maintaining balance. ''Working on oneself'' while lying semi-supine with knees up is encouraged as a way to take breaks during the student's workday. Depending on the student's purposes, the teacher might later suggest simulating a particularly stressful situation to practice experimentation and use Alexander Technique under pressure, such as acting, public speaking, shouting or stage a contest.

Teaching Environments

Teaching methods vary; all have in common guided discovery of easier, more positive ways to carry intention into physical action and how to recognize and prevent outdated habits from derailing intended results. To begin lessons, there is no prerequisite level of fitness or movement ability. Alexander Technique is most often taught in private lessons. Group, shared lessons and workshops are recently becoming more common - especially as an adjunct to a specialized art, sport or skill and as required curriculum in music & drama colleges. Because Alexander Technique can be taught and practiced during any activity, some teachers leave the choice of activity up to the student. Many Alexander teachers also have additional specialties; such as teaching children in grade school, RSI or pain management. Many teachers couple teaching Alexander Technique with an additional professional skill such as being a speech or physical therapist, or they teach "AT" as an adjunct to a sport, as in horsemanship, running or golf.

When it can be used

Remembering to use Alexander Technique to get its benefits is required, but not in an extra practice hour - merely an experimental, thinking moment. Curiosity, a willingness to experiment and recognition of gradual improvement are the attitudes that most effectively bring attention to the continuous possible choices of response that are within any moment. Unlike many similar self-improvement regimens, the Alexander Technique is not exercises. It can be momentarily employed at any time while awake to get its benefits, usually unnoticed by others.

Learning time

Progress is unlimited, but commonly slow; often taking a significant commitment of months, even years of discipline. There are only improvements, no "perfect" arrivals of mastery; all Alexander teachers humbly consider themselves advanced students of the art. Most teachers consider twenty to forty lessons to be required for learning to use it. Each lesson teaches something tangible and practical. Speed of learning seems to depend on the motivation to shed outdated habits, and the persistence of the learner to confront the power of their own habits with resolve, clear thinking and new responses. During daily lessons in a workshop environment, a rare fast learner can gain rapid functionality in a matter of a few weeks. The fastest learners are often people who are motivated by gaining freedom from chronic pain, or someone recovering from injury who can now again devote themselves to a beloved art or skill. The reason Alexander Technique takes so long to learn is because the kinesthetic sense is often the most "taken for granted" and habitually ingrained. It is difficult to get rid of what cannot yet be perceived.

Training for being a teacher of Alexander Technique involves more than 1600+ hours of classes over at least a three year period. Teacher trainees must qualify to graduate; attendance is not a guarantee of becoming a teacher. After qualifying, most professional teaching associations require continuing development courses.

Teaching styles

Alexander teachers differ in teaching style. It's a treasure when any teacher articulates the deliberate reasoning behind their teaching. Usually, a chosen style of teaching is not just an imitation of training methods, but integrates many personal discoveries. Many traditionalists believe that spending time on concepts may encourage their student's misuse. These teachers may dodge discussions of principles until the student can have the conversation without their old habits of talking.

Pitfalls

The disadvantage is, the road of learning can be rocky. Habits are often tied to self-image, emotions, a cultural foundation of assumptions and self questionable judgment. Ingrained habits seem to have a sense of self preservation that acts as if habits fear their possible lack of importance. After facing and surpassing many of their own insistent habits, long term learners of Alexander Technique often discover that what is motivating their new choices has now become their new core of identity, instead of habit. Of course, some "Alexander teachers" help the surrendering process go easier. Sampling a number of teachers from different teaching styles is advisable.

Some of the in-depth principles

Many of the principles of Alexander Technique are unique concepts. As has been mentioned previously, human senses are built to adapt to continuous messages sent by the brain. Repetition makes perceptual sensations disappear. Keeping muscles contracted when they don't need to be compares to leaving the kitchen lights on continuously because kitchen lights so often need to be on. Nearly everyone has taught themselves to do something, only to later regret they didn't learn to stop doing it. This principle is called ''sensory debauchery" in Alexander Technique terms. To unlearn habits, prerequisite seems to be a willingness to welcome what is experimental and unfamiliar.

Another unique concept is a specialized use of the word "Inhibition." Many Alexander teachers believe this concept to be the foundation of Alexander Technique. Without denial or catharsis, it is possible to learn to recognize and prevent a habitual patterned reaction and choose differently. With practice and without denial, a habit can be deliberately "inhibited." Suggested practical means to effectively subvert a particular unwanted habit vary with each Alexander teacher's experience. Sidestepping, stalling, tricking, boring the old habitual solution - anything is fair game to get the old habit to disengage, leaving the freedom to try something different, something easier.

The most original principle discovered is called ''Direction'' or ''Primary Control.'' A stiffened startle response pattern of the neck, head and back is shown to be the source of self imposed limitations. F.M. Alexander discovered that a very slight head motion leads all physical movement. The head’s lightest initiation of motion can act as a steering wheel or a key to unlock the rest of the body's capacity for powerful and efficient use of effort. Expand attention to the head's initiation of movement and allow the body to follow with the easiest qualities of motion, while paying attention to sequence, timing and direction - and the ability to respond to an objective will improve.

Principles used together

The Alexander Technique principles say that it is possible to learn to insert a new choice before a habitual reaction takes over, but how is this actually done? The principles may be put together in any sequence, not necessarily in this order. What follows is an example lesson.

First, choosing some sort of movement is required. Sitting down or walking is a commonly selected activity. The student is prompted by the teacher to observe themselves while moving. Students are asked to describe without value judgments or emotional reactions, and are encouraged to avoid being self-chastising. Habits are not all bad.

A basic activity is to identify and stop habitual interference so a freer capacity to respond can reassert itself. Toward leaving out habit, the goal of the chosen action or motion is temporarily suspended, so motivation for immediate results does not encourage the habit to jump in to helpfully answer the urge to respond. Intercepting unnecessary habits might also be made easier by creating an arbitrary beginning moment of intentional choice.

Once a sample activity is observed and described, the teacher and student craft experiments to avoid habitual interference, usually by slowing down reaction time. In keeping with the ''senses adapt'' principle, customary kinesthetic orientation and preparation assummed necessary is repeatedly noted to be unnecessary. The teacher shows how the head, neck and back together can "lengthen" to increase capacity for freedom of movement. The teacher may use their hands as "training wheels" to help the student perceive exactly when their habit is interfering - often during movement preparation. Teachers bring a student's attention to pivotal timing issues and specific qualities of motion that influences improvement. Teachers may experiment alongside the student, modeling the process they prefer the student to emulate.

Sometimes the effect of this prevention of habit feels immediately strange or disorienting to the student. The teacher steadies and encourages the student to resist a need to go back down into the familiar habit and to tolerate additional unfamiliarity for longer periods of time. A sensation termed ''Do-less-ness” may be used as the new measure of success. Yet, just as often seeking any results is also suspended, because the ability to sense subtle perceptual differences may have become dulled from “adapting.”
Usually, this is all that is required to be practiced in the lesson. Sometimes habits are trickier and remedies to detour habit are crafted and used. Some of these strategies are directly proscribed by F.M. Alexander's historic examples, but many may be invented on the spot.

Now that the student’s senses are not being dampened by habit, a discovery about the suspended objective of the activity may emerge at this time. These discoveries are noted and integrated into repeated experimentation to make them more reliable. It is important that this observing of results comes after doing the preventing and moving, not before; otherwise the unwanted habits can take back control.

When additional results are desired, a similar process of questioning, experimenting and observing possible results is again used (or the principles recombined in another order, tailored for a student's needs. Some students need to suspend expectation of results entirely.) After repeated successes from much experimentation, hopefully a learner's tolerance for unfamiliarity increases. Using this process never stops feeling surprising.

Where it came from

Discoverer '''F.M. Alexander,''' was a Shakespearean orator who developed problems losing his voice. Careful observation with multiple mirrors revealed that he needlessly stiffened his whole body in a particular pattern in preparation to recite or speak. He also noticed the same pattern in his everyday speaking style. It took ten years of self-observation to successfully apply his original discoveries to solve his voice problem. Eventually, he fashioned a “Technique” to teach others to pass on his experience. His work continues today, extending a lineage that has expanded from many extraordinary lifetime dedications.

Why learn with a teacher

The possibility of moving in an easier way most often emerges from underneath a student's current sensory ability to command it. How these improvements might reoccur will need to be cultivated to be used without the help of a teacher. Meaning, it usually takes help and certainly patience to learn to rely on using less effort, let alone to stop unintended self-interference.

F.M. Alexander and his brother A.R. Alexander often stressed that ''The Technique'' could not be acquired without the active cognitive participation of a student and the help of a suitably qualified instructor trained in the hands-on technique, deceptive self awareness being the significant effect of ''sensory adaptation.'' Most Alexander teachers today agree, but F.M. and A.R. did it first alone. So it is theoretically possible to learn without a teacher, but very rare and time-consuming.

Now, '''Alexander Technique''' has the lifetime dedication from only a few thousand teachers worldwide in associated professional societies. Only a handful of teachers who were personally trained by the founder are still living. Differences in teaching approaches evolved as various teachers originated what they believed constituted more effective teaching. Availability of Alexander teachers is limited, except in the United Kingdom, where the profession is in the process of being included in the [[Complementary & Alternative Medicine]] of the UK National Health System. Currently there is no legal requirement for certification to teach, but this could soon change in the UK. Proof the Alexander Technique works has only been verified in rare previous scientific research. But results in neuroscience and current movement gait lab research on the effects and function of body motion are promising. Meanwhile, UK medical communities recognize the usefulness of the "Technique," yet it is still classified as "pseudo-scientific."

Most ''Alexander teachers'' in the field are of the professional opinion that no informative substitution exists for twenty to forty lessons. Words do not suffice to totally describe the Alexander Technique; it must be experienced.

Go to the contact page to arrange private lessons, classes or attend a workshop in Alexander Technique with Franis Engel

Find a teacher to get a hands-on lesson from near to wherever you are from our links page here.

If you can't find a teacher, here's a site with more online lessons to experiment with learning Alexander Technique without a teacher - or having a refresher if you've already had some lessons.

Juggling has a reputation of being very hard to learn for some people. Especially if you've tried learning to juggle before and given up, check out Franis' non-traditional, in-depth way of learning to juggle. If you've never tried to juggle three items before and you're curious what will be presented at the workshop, check out this fast and simple way of teaching juggling.

This was the first online editable encyclopedia where I first wrote the article that has been reprinted on eleven other sites on the web, and counting! Most of these articles are the duplicate of this one you just read. This wiki site is under a free use license with certain restrictions that you can read about on this link. The writing on my own site here is under traditional copyright, but if you'd like to use the article you just read freely about Alexander Technique, go here to wikipedia.org

Here's a wiki site which features related articles in the news on a sidebar to its articles universe site.

This is a reprint of an article Franis wrote for wikipedia from smartpedia.com

Another one of Franis' articles on the largest site featuring the most comprehensive Alexander Technique information from many teachers and writers; alexandertechnique.com

This is an online dictionary site called "Word IQ" with a version of the article you just read.

Top of this page